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Sweetpea

PRODUCTION COMPANY: SEE-SAW FILMS // SKY STUDIOS
LINE PRODUCER: Emma Biggins PM: Esteban Frost 1AD: Tom Allan 

Coming to Sky Atlantic on 10th October, we supported this production with standby safety, in-water support and a huge floating scaffolding pontoon to facilitate key camera-crane and dolly shots during a complex night shoot on Regents Canal in central London.

Our 8m x 4m floating platform was transported to location on a standard flatbed road trailer, and built in situ – saving the need for cranes or complex lifting logistics. Once assembled, the platform was manoeuvred into position using our specialist aluminium camera boat, equipped with a 6kW high-thrust electric outboard for silent, environmentally-friendly propulsion.

Grips were able to anchor the crane base directly to the underpinning structural framework of the platform with ease, directly accessing the stock scaffolding backbone and rated lifting/tie-down points. Rigging was so straightforward, in fact, that several additional departments sought to rig their own equipment to the platform — at various stages, we had SFX rain towers, lighting fixtures, and even the entirety of video village securely floating along the canal.

Benefitting from remarkable stability, our scaffolding pontoons can carry a large payload without any appreciable flex, and can be outfitted with safety handrails, deck lighting, edge protection, and a non-slip scaffolding board deck. Platform configurations can be built to spec up to 20m x 6.4m per module, with a whopping 15700kg max payload.

Full tech specs: watersafety.team/stage
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Water Safety

Whether you’re shooting on a canal towpath, river embankment, or on the shoreline at a pond, lake, or beach – we can advise, implement, and monitor safety measures to ensure your working environment remains safe and controlled.

If you’d like to discuss your requirements in detail, please feel free to get in touch: 

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Filming On WATER

If you’re looking to shoot on/from the water, we can facilitate getting your camera department afloat, coordinate water action and reset between takes in order to get the shots you need.

From static camera positions to tracking vessels, crane platforms, lighting barges and SFX setups – we can tailor a support package to fit your requirements. 

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Floating Stage

Introducing the latest innovation in floating marine platforms...
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IN-WATER SUPPORT

If you’re looking to put cast or camera in the water, we have the capabilities to provide artist training, in-water support, and safety cover you’ll need to keep things running smoothly and safely on the day.
Amongst our team we have experienced operators and instructors with accreditations/affiliations with the following bodies:

If you’d like to discuss your requirements in detail, please feel free to get in touch: 

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planning / concepts

From testing concepts and ideas, to planning and consultancy throughout the production schedule, we can offer a range of services to guide marine filming projects from start to finish. 

Our planning and consultancy services include: 

  • Risk assessments and Method Statements
  • Location feasibility studies and tidal access reports
  • Advising on technical accuracy of scripted action
  • Arranging artist training 
  • Finding doubles / supporting artists with special skills
  • Sourcing hero/picture boats 

If you’d like to discuss your requirements in detail, please feel free to get in touch: 

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Licences & Permits

If you’re looking to film on managed waterways in the UK, you will need to ensure that the correct licences and permits are in place. We’ve included some preliminary information below about some of the most common licencing authorities and their requirements:

The Port of London Authority manages all commercial activity on the tidal Thames (from Southend to Teddington).

A filming licence is required for all commercial photography and filming, which is granted subject to the approval of the harbourmaster upon receipt of detailed navigational risk assessments and safety plans.

As one of Europe’s busiest ports, it comes as no surprise that there are a number of stringent requirements that commercial operations (including media/filming) on the tidal Thames must adhere to, and vessels operating commercially within central London require qualified skippers with Local Knowledge Endorsements due to the density of navigational hazards and boat traffic within this busy tidal port. 

For the use of picture boats (where these are not already licensed to operate commercially within the Port), there are additional vessel survey and licensing requirements, to ensure craft are fit for purpose and safe for use within the Port.

We have a proven track record of working closely with the PLA Corporate Affairs, Harbourmasters and Marine Services teams to safely facilitate the filming of boat-to-boat, boat-to-shore, action and stunts sequences within the Port.

https://www.pla.co.uk/Media-Centre/Filming-and-Promotions-on-the-Thames 

For filming activities on rivers owned/managed by the Environment Agency (EA), risk assessments, method statements and safety plans must be submitted in advance of an application for a filming licence. Any boats or craft used on EA waterways also require a vessel licence – this can be usually be achieved within 10 working days.

During/after periods of heavy rain, additional safety measures may be required to ensure that filming operations can proceed safely. In extreme circumstances, boat operations may have to be constrained/suspended where river flow rates exceed safe parameters for the proposed scope of operations.

Some sections of the river embankments and footpaths are owned by the EA. For filming activities where access is required to/from these areas, a separate locations agreement may be required.

https://www.gov.uk/government/organisations/environment-agency/about/media-enquiries

The Canal and River Trust (CRT) manage over 2,000 miles of canals and rivers across England and Wales.

For filming locations within their managed waterways, risk assessments and works permits may be required, depending on the nature of the production requirements.

Access and egress can also pose a logistical challenge, and in some locations it may be necessary to utilise the waterways in order to transit large/heavy equipment or props by boat.

We have worked with CRT on several productions to provide coordination, safety, and specialist logistics solutions to facilitate safe and efficient filming operations in locations with restricted landside access.

For any activities involving swimming/immersion in stagnant or slow-moving water, we recommend that the water quality is sampled and tested in advance of filming operations to minimise risk of infection or illness. Sample analysis has a lead time of c. 1-2 weeks.

https://canalrivertrust.org.uk/news-and-views/media-centre/filming-and-photography/filming-location-fees

Construction activities that anchor or fix items to the seabed or riverbed require a permit from the Marine Management Organisation. Activities with a possible impact to local wildlife or ecosystems may require an Environmental Impact Assessment to be undertaken and submitted to the Environment Agency. In some circumstances, a Flood Risk Activity Permit may also be required.

These permits, licences, and assessments are primarily required for activities involving construction (including temporary works) and do not apply to most boat- or bank-based filming operations. Where filming activities involve construction, sufficient forward planning is required to ascertain the level of permissions required for the scope of operations. 

If you’d like to discuss your requirements in detail, please feel free to get in touch with us.

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